The Cappella Brancacci with Masaccio's frescoes at the Santa Maria del Carmine Church

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Florence » What to See » Churches »

The Brancacci Chapel in Santa Maria del Carmine

Piazza del Carmine
Reservations are required. Open from 10 a.m. to 5 p.m. weekdays except for Tuesday, from 1:00 p.m. to 5 p.m. on weekends
Closed Tuesdays
Entrance fee € 4.00; Cumulative ticket for the Cappella Brancacci and Palazzo Vecchio: € 8.00

The Cappella Brancacci is a tiny chapel reached through the cloisters of the otherwise pretty plain Santa Maria del Carmine Church due to the fact that most of the church was destroyed in a fire in 1771. It is considered a miracle that the Brancacci and Corsini Chapels survived the intense fire that destroyed everything else in less than 4 hours. The Church belongs to the Carmelite order, and like San Lorenzo, offers an unfinished façade.

Two layers of frescoes commissioned in 1424 by Felice Brancacci, a wealthy Florentine merchant and statesman, illustrate the life of St. Peter, shown in his orange gown. The frescoes were designed by Masolino da Panicale, who began painting them with his pupil Masaccio. In 1428 Masaccio took over from Masolino but died later that year, aged 27, and the remaining parts were completed by Filippino Lippi in the 1480s.

The chapel was recently superbly restored, with the removal of accumulated candle soot and layers of 18th century egg-based gum which had formed a mold. The frescoes have an intense radiance, making it possible to see very clearly the shifts in emphasis between Masolino's work and that of Masaccio (contrast the serenity of Masolino's Temptation of Adam and Eve with the excruciating agony of Masaccio's Expulsion of Adam and Eve from Paradise).

The restoration also highlights Masaccio's mastery of chiaroscuro (light and shade), which, combined with his grasp of perspective, created much marvel and was consciously copied by the Florentine painters of the 15th century. His depiction of St. Peter healing the sick (left of the altar, lower register) showed beggars and cripples with revolutionary realism. The colors are so vivid today that it is hard to believe they were painted over five centuries ago.

santa maria del carmine

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