The Palazzo Vecchio Museum and Tower
- Piazza della Signoria
- Museum: Full € 10 / Reduced € 8
Tower: € 6,50
Museum + Tower: € 14
In case of rain, the tower is closed but you can still visit the battlements (€ 2)
The tower is closed to anyone under 6 years old and not recommended for anyone with walking difficulties or heart problems or asthma or anyone afraid of heights. Anyone under 18 has to be accompanied by an adult.
- There are several tours of Palazzo Vecchio you can take which include:
» Palazzo Vecchio with a Tablet
» Tour of the Secret Passages
» A Guided Tour by Giorgio Vasari
» Tour of the Monumental Quarters
View entire list of tours at Palazzo Vecchio »
- Opening hours
- MUSEUM: April-September: Open every day except for Thursday: 9am - midnight
; On Thursdays: 9am - 2pm. Including: April 20-21, April 30 (Notte Bianca), May 1, June 2 and 24, August 15.
October-December: Every day except for Thursday: 9am - 7pm; Thursday: 9am-2pm. Special openings on October 13-28-29-30-31, November 1-2-3-10 and December 7-8-22-23-26-27-28-29-30: 9am – midnight. Closed on Christmas Day.
MEZZANINE – LOESER COLLECTION: Every day except for Thursday: 9am-7pm. On Thursday and week day public holidays: 9am-2pm
TOWER: April 1 – Sept. 30: Every day 9am-9pm (no admission after 8:30pm). On Thursdays, 9-2pm (no admission after 1:30pm)
Oct. 1 – March 31: Every day 10am-5pm (no admission after 4:30pm). On Thursdays, 10-2pm (no admission after 1:30pm)
BATTLEMENTS: You can visit them at night during the summer for just €2 extra to the cost of the museum and go up between 8-11pm. Just sign up at the ticket office. Groups of max 25 people allowed every 30 min.
ROMAN RUINS: Reservations are free but required (at ticket office or by email at firstname.lastname@example.org) if you want to visit the Roman ruins under Palazzo Vecchio.
Mondays: 2:30-5:30pm (4 groups, 45 min each)
Saturdays 10am-1pm (4 groups, 45 min each)
Is time travel possible? At Palazzo Vecchio it is, with a trip back into history to three eras. Palazzo Vecchio offers Roman ruins, a Medieval fortress and amazing Renaissance chambers and paintings. A microcosm where art and history have been indissolubly bound for centuries.
Palazzo Vecchio is the main symbol of civil power for the city of Florence, whose original project is attributed to Arnolfo di Cambio. Construction on the solid fortress began in 1299 above the ruins of the destroyed Uberti Ghibelline towers, testimony of the final victory of the Guelph faction. The entire construction also rests on top of the ancient theater of the Roman colony of Florentia (dating back to the first century A.D.), whose ruins can be admired in the underground level.
From the very beginning, the main section of Palazzo Vecchio was destined to host the city council which was composed of chief members the Guilds of Florence (the Priori) who governed the Republic of Florence. In 1342, the Duke of Athens, Walter VI of Brienne, enlarged Palazzo della Signoria towards Via della Ninna, giving it the appearance of a fortress and even adding a secret staircase for nightly exits. The severe medieval architecture conceals sumptuous halls and residential apartments.
The Salone dei Cinquecento (Hall of the Five Hundred) was built from 1494 during the Republic of Fra’ (friar) Girolamo Savonarola. The Hall is the largest and most important room in terms of artistic and historical value inside the palace. This impressive hall has a length of 54 meters, a width of 23 and a height of 18 meters. Paneled ceilings and large wall frescoes, golden decorations and imposing sculptures will leave you admiring in marvel.
Salone dei Cinquecento
Pier Soderini, who was appointed gonfaloniere for life, selected the two greatest Florentine artists of the time, Leonardo da Vinci and Michelangelo Buonarroti, for the construction of two large murals to decorate the walls of the room, with battle scenes depicting victories of the Republic.
Leonardo began to realize the Battle of Anghiari, while Michelangelo used another portion of the wall for the Battle of Cascina. The two geniuses of the Renaissance would have an opportunity to work for a certain period of time face to face, but none of their work was ever completed.
Palazzo Vecchio's current appearance is due largely to great works of renovation and interior decoration that were made around 1540, when Duke Cosimo I de’ Medici and his wife Eleonora of Toledo decided to turn the palace into their residence. The court of the Medici was transferred to Palazzo Vecchio (from Palazzo Medici-Riccardi), which was transformed into a fascinating labyrinth of institutional chambers, apartments, terraces and courtyards. All the rooms (the so-called Quartieri Monumentali) are magnificently decorated by artists such as Michelangelo, Giorgio Vasari and Donatello.
The Studiolo that belonged to Francesco I
Among the chambers, you will also discover secret routes, such asthe spectacular private studiolo (studio) belonging to Francesco I, Cosimo’s Tesoretto, and the ceiling trusses that support the ceiling of Salone dei Cinquecento to know the mastery of Renaissance engineers. View entire list of tours at Palazzo Vecchio »
The trusses over Salone dei Cinquecento that support the ceiling
Between the first and the second floor, there is a mezzanine. It was created in 1453 by Michelozzo by lowering the ceilings of some rooms of the first floor. In these rooms Maria Salviati lived, Cosimo I’s mother, and the young princes. Today, the mezzanine houses the Loeser Collection, donated by the American art critic Charles Loeser who died in 1928.
The second floor was the more private section of the palace, featuring the elegant Apartments of the Elements, the Apartments of Eleonora of Toledo, and the original Hall of Priors, along with many small chambers and a chapels frescoed by Bronzino. The most interesting rooms are the private study of the Duchess Bianca Cappello (mistress and afterward second wife of Francesco I de’ Medici) and the Hall of Maps, the original Guardaroba where the most relevant documents were kept together with the Mappa Mundi, a six-foot-tall sphere which had been the largest rotating globe of its era, and dozens of geographic maps painted on leather, showing the world as it was known in 1563. Take time to look at them and see how much men in the Renaissance already knew about our world!
The Map Room
The profile of Palazzo Vecchio is crowned by an austere crenelated battlement, extending upward along the tower called “Torre di Arnolfo” or Arnolfo’s tower. It is one of the most imposing medieval towers remaining in Florence. Its height of 95 meters represents the highest civic symbol in the entire city. If you dare, 416 steps will take you to the very top of the tower to enjoy a breathtaking view of Florence, passing through the guardian passages that also offer spectacular views of the city and entire valley. The tower is open to visits as far as the second crenelated battlement where you can admire the massive pillars which support the prison in which Friar Girolamo Savonarola was held during his last days. The Florentines nicknamed this secret and quite difficult to reach room the “Albergaccio” (or very bad hotel, definitely intended).
I personally find Palazzo Vecchio one of the most enjoyable museums in Florence. I adore its secret routes, perfectly suitable for visits by families with kids and curious visitors. By the way…the frescoes of the coats of arms and encrypted mottoes are the best setting for a treasure hunt! Chase the images of rhinoceros, weasels and turtles across the palace! I suggest you discover the links with these symbolic animals at sunset, reaching the top of the tower to enjoy an unforgettable view over the red tiled roofs of Florence! Have a fun visit!
Go on a tour in Palazzo Vecchio - choose the best one for you!
View of the "very bad hotel" in which Savonarola was held prisoner
About Elena Fulceri
100% Florentine blood, passionate licensed tour guide and sommelier in training! I studied Italian Renaissance art and sciences in Sydney Australia, Venice, Milan and Florence, where I finally graduated at the Università di Firenze and got my license. Art can truly be accessible, enjoyable and entertaining! "Pure beauty belongs to everybody" as Michelangelo used to say. My motto? Heartfelt, tailor-made Florence. Learn more at Florence with Flair.
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